Megan McCarthy, Columbia University
German Applied Arts at the Newark Museum: Transatlantic Politics and Exhibition Practice Before the Great War
Louise Hardiman, University of Cambridge
Beyond the “World of Art”: The Writings of Netta Peacock and Frank Rinder for Modernist Artistic Journals in Russia, c. 1900
Chloe Kroeter, University of Cambridge
Did the German War Machine Power British Politics? Images of the Foreign Threat on Covers of the New Age, 1910
Nicola Kozicharow, University of Cambridge
“Byzantine Pure and Simple”: The British Reception of Dmitrii Stelletskii at the Second Post-Impressionist Exhibition of 1912
Lauren Weinberg, University of Cambridge
Man Ray, the “Great Hunter”? Capturing the Women of the Avant-Garde
Maggie Mustard, Columbia University
Suspension and Possibility: Yamawaki Iwao and the Trajectory of Bauhaus Photography
Alastair Meredith, University of Cambridge
Jan Juta in the 1920s: Paris, Eze, and New York
Esther Polonyi, Columbia University
Invisible Man: Microcinematography in Early Twentieth-Century Europe
Josephine Baark, University of Cambridge
Saga: Danish-Inuit Modernism and Ethnographic Collecting at the Sugartop Mountain
Michaela de Lacaze, Columbia University
Turn Off the TV and Drop Some Acid: Psychedelic Participation, Politics, and Mass Media in Marta Minujín’s Art of the Sixties
Michael Sanchez, Columbia University
Andre Cadere in Circulation
Sonia Coman, Columbia University
Wataru Matsumara: Microcosms in Ink
