New York Renaissance Consortium Events

Thursday, January 26, 6:30pm
“Shaping Medieval Art for the Twenty-First Century”
Speaker: Adam Cohen
Location: Schermerhorn Hall, room 612, Columbia University
http://www.columbia.edu/cu/arthistory/calendar/branner.html

Friday, February 12, 3:30pm
“IDEA: The Isabella d'Este Digital Archive”
A workshop with Professor Deanna Shemek, UC Santa Cruz
Location: Casa Italiana Zerilli-Marimò, 24 West 12th Street, Room 201, New York
http://italian.as.nyu.edu/object/italian.events.este.20160212

Wednesday, February 15, 6pm
“The Painter and the Libertine: Titian and Pietro Aretino”
Speaker: Xavier F. Salomon, The Peter Jay Sharp Chief Curator of The Frick Collection
Location: Music Room, The Frick Collection, New York

Thursday, February 16, 11am
“Venice in the Age of Jacopo Tintoretto”
Speaker: Andrea Bayer, Jayne Wrightsman Curator, Department of European Paintings
Location: The Metropolitan Museum of Art, New York
Ticket: $30

Thursday, February 16, 4:30pm
“Michelangelo and Paper as Palimpsest” Drawings, Letters, Records, and Sonnets”
Speaker: Mauro Mussolin, CASVA - Metropolitan Museum of ART
Location: 106 McCormick Hall, Princeton University

Friday, Saturday, April 7-8, 9am-5pm
“Christian Time in Early Modern Europe”
Speakers: Carolina Mangone and Tony Grafton
Location: 101 McCormick Hall, Princeton University

Friday, April 8, 9:00 am
“Dante's Vita Nuova: Archaeologies of a Text”
Speakers: Maria Luisa Ardizzone, New York University & Teodolinda Barolini, Columbia University
Location: NYU Casa Italiana Zerilli-Marimò, 24 West 12th Street, New York
http://italian.as.nyu.edu/object/dante_vita_nuova.html

Tuesday, April 11
“Pathos, Symptom, Expression: Laocoon in Europe, 16th to 20th Centuries”
Speaker: Salvatore Settis, Scuola Normale Superiore, Pisa
TBA

Tuesday, November 22, 7pm
“Romancing the Truth: Vernacular History and the Origin of Fiction”
Speaker: Simon Gaunt (King's College, London)
Location: La Maison Française, 16 Washington Mews, New York
http://www.marc.as.nyu.edu/object/marc.events.lecture.gaunt

Wednesday, November 30, 6pm
"Travels with Cagnacci,"
Speaker: Xavier F. Salomon, The Peter Jay Sharp Chief Curator of The Frick Collection
Location: The Frick Collection, New York
Free but seating is on a first-come, first-served basis

Thursday, December 6, 1pm
“The Renaissance and the Rise of Drawings”
Speaker: John Marciari, Charles W. Engelhard Curator of Drawings and Prints, The Morgan Library & Museum
Location: The Morgan Library & Museum, New York
$15, free for members and students
http://www.themorgan.org/programs/renaissance-and-rise-drawing

Wednesday, December 7, 5pm
“Once Again, Albrecht Dürer’s Melencolia I”
Speaker: Peter Parshall
Location: 101 McCormick Hall, Princeton University

Monday, April 4, 2016, 6 pm
"Cataloguing the Berenson Collection: The Case of the Lorenzetti"
Speaker: Machtelt Brüggen Israëls
Location: NYU Institute of Fine Arts, Lecture Hall
Ticketing: free, but seating is on a first-come, first-served basis

Friday, October 16, 4pm–6pm
"A Saslow Renaissance: Seeing Sex and Gender in the Rinascimento"
Speakers: Guido Ruggiero, William Fisher, Allison Levy, James Saslow
Location: The Graduate Center, CUNY, Room C198
Ticket/entry details: free
Website

Monday, November 2, 2015, 11am– 3pm
"Andrea del Sarto in New York"
Speakers: Andrea Bayer and Michael Gallagher (The Metropolitan Museum of Art) and Aimee Ng and Xavier Salomon (The Frick Collection)
Location: The Metropolitan Museum of Art
Ticket/entry details: $200
Website

Saturday, November 7, 2015, 2pm–2:30pm
"An Introduction to Andrea del Sarto: The Renaissance Workshop in Action"
Speaker: Aimee Ng, Associate Curator
Location: The Frick Collection
Ticket/entry details: free with museum admission
Website

Thursday, November 12, 2015, 10 am
"Graduate Seminar: Italian Renaissance Drawings"
Speaker: John Marciari, Charles W. Engelhard Curator and Department Head
Location: Drawing Study Center, The Morgan Library & Museum, New York
Ticket/entry details: by application
Website

Tuesday, November 17, 2015, 6:30pm
"Poussin and the Elephant: Art, Diplomacy, Curiosity, and the Show Biz of Exotic Animals in Early Modern Europe"
Speaker: Louise Rice, New York University, Associate Professor of Art History
Location: Columbia University, Schermerhorn Hall, Room 612
Ticket/entry details: free, but seating is on a first–come, first–served basis

Wednesday, November 18, 2015, 6pm
"Lively Statuary in Florence before and after Andrea del Sarto"
Speaker: Nicholas Penny, The National Gallery, London
Location: Music Room, The Frick Collection
Ticket/entry details: free, but seating is on a first–come, first–served basis
Website

Friday, November 20, 2015, 11am–12pm
"Fashion and Virtue: Textile Patterns and the Print Revolution, 1520–1620" (exhibition tour)
Speaker: Femke Speelberg, Associate Curator, Department of Drawings and Prints
Location: Gallery 964, The Metropolitan Museum of Art, New York
Ticket/entry details: free with museum admission
Website

Tuesday, December 8, 6 pm–8 pm
"Dürer's Winged Women: Nemesis and Melencolia I"
Speaker: Margaret Carroll, Wellesley College
Location: Columbia University, Schermerhorn Hall, Room 612
Ticket/entry details: free, but seating is on a first–come, first–served basis

Wednesday, December 9, 2015, 6pm
"A Tale of Two Artists: Andrea del Sarto and Raphael"
Speaker: Linda Wolk–Simon, University Museums, Fairfield University
Location: Music Room, The Frick Collection
Ticket/entry details: free, but seating is on a first–come, first–served basis
Website

Thursday, March 19, 2015, 6:30 pm
“Drawing in Stone: Donatello and Relief Sculpture”
Speaker: Daniel Zolli, Guest Co-Curator, Museum of Biblical Art
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Wednesday, April 1, 2015, 6:00pm
“From Seville to Manhattan: Murillo’s Self-Portrait”
Speaker: Xavier F. Salomon, Peter Jay Sharp Chief Curator, The Frick Collection
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: The Music Room, The Frick Collection

Thursday, April 17, 2015, 6:00pm
“Clothing the Word: Filippo Lippi, Donatello and Bellini”
Speaker: Paul Hills, Professor Emeritus, The Courtauld Institute of Art
Ticket/entry details: Free; RSVP required
Organized by: New York Renaissance Consortium
Location: The Institute of Fine Arts

Thursday, April 23, 2015, 6:30 pm
“Linear Perspective’s Narrative Function in Donatello’s Relief Sculpture”
Speaker: David Drogin, Fashion Institute of Technology
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Friday, April 24, 2015, 4:00 pm
“Friday Focus—Cranach's Saint Maurice and the Representation of Africans in Sixteenth-Century German Art” Speaker: Paul Kaplan, Professor of Art History, Purchase College, State University of New York
Ticket/entry details: Free
Organized by: The Metropolitan Museum of Art
Location: Bonnie J. Sacerdote Lecture Hall, Uris Center for Education, The Metropolitan Museum of Art

Wednesday, April 29, 2015, 6:00pm
"Rough Texture: On Rembrandt's Rebecca and Isaac"
Speaker: Nicola Suthor, Professor, Yale University
Ticket/entry details: Free, no reservation necessary
Organized by: Howard Hibbard Forum for Renaissance and Baroque Art and Architecture
Location: Stronach Center (8th Floor), Schermerhorn Hall, Columbia University

Thursday, April 30, 2015, 6:30 pm
“‘Learn my language’: speaking in stone, bronze, and wood”
Speaker: John Paoletti, Wesleyan University
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Thursday, May 14, 2015, 6:30 pm
“Viewing and Touching Sculpture in Early Renaissance Florence”
Speaker: Amy Bloch, University at Albany
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Wednesday, May 20, 2015, 6:00pm    
“Bellini’s Scipio or How Not to Paint a Narrative”
Speaker: David Alan Brown, Curator of Italian and Spanish Paintings, The National Gallery of Art, Washington, D.C.
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: The Music Room, The Frick Collection

Thursday, May 28, 2015, 6:30 pm
“The Most Extraordinary Altarpiece of the Fifteenth Century”
Speaker: Sarah McHam, Rutgers University
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Thursday, June 4, 2015, 6:30 pm
“Competition and Collaboration: How Early Renaissance Artists and Patrons Got the Best from One Another”
Speaker: Gary Radke, Syracuse University
Ticket/entry details: Free; no reservation necessary
Organized by: Museum of Biblical Art
Location: Museum of Biblical Art

Wednesday, September 17, 6-7 p.m.
“Vincenzo Anastagi, El Greco, and Henry Clay Frick”
Speaker: Jeongho Park, Curatorial Research Associate, Blanton Museum of Art, University of Texas, Austin
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Wednesday, October 1, 6-7pm
“A Precious Vision of Antiquity”
Speaker: Alvar González-Palacios, art historian
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Thursday, October 2, 6:15pm
“Giuliano da Sangallo, Architecture and Time”
Speaker: Cammy Brothers, Mario di Valmarana Chair, Associate Professor of Architectural History, University of Virginia
Ticket/entry details: Free; no reservation necessary
Organized by: New York Renaissance Consortium
Location: Schermerhorn Hall, Room 612 (Lecture Hall), Columbia University

Monday, October 6, 6pm
"Memory Palaces: The Renaissance and the Contemporary World"
Speaker: Lina Bolzoni, Professor of Italian Literature, Scuola Normale Superiore
Ticket/entry details: Free; no reservation necessary
Organized by: Bettman Lecture Series, Department of Art History & Archaeology, Columbia University
Location: Schermerhorn Hall, Room 612 (Lecture Hall), Columbia University
Website

Wednesday, October 22, 6-7pm
“El Greco’s Italian Period and Artistic Hybridity”
Speaker: Andrew Casper, Assistant Professor of Art History, Miami University, Oxford, Ohio
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Wednesday, October 29, 6pm
“Masterworks at the Met: Mannerism’s Perverse Beauty” (Part 1 in a 3-Part Series)
Speaker: Jerrilynn Dodds, Dean, Sarah Lawrence College
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Organized by: The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Website

Tuesday, November 4, 6pm
“Pictures for Scotland”
Speaker: Michael Clarke, Director, Scottish National Gallery, Edinburgh
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Wednesday, November 5, 6pm
“Masterworks at the Met: Mannerism’s Perverse Beauty” (Part 2 in a 3-Part Series)
Speaker: Jerrilynn Dodds, Dean, Sarah Lawrence College
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Organized by: The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Website

Wednesday, November 5, 6:30pm
“Dürer’s Printed Passions”
Speaker: Larry Silver, Farquhar Professor of Art History, University of Pennsylvania
Ticket/entry details: Free; no reservation necessary
Organized by: The Museum of Biblical Art
Location: The Museum of Biblical Art
Website

Wednesday, November 12, 6pm
“The Notorious Guises: Portraits on a French Renaissance Enamel Plaque in The Frick Collection”
Speaker: Ian Wardropper, Director, The Frick Collection
Ticket/entry details: Free; RSVP online (follow the link below)
Organized by: The Institute of Fine Arts
Location: The Institute of Fine Arts
Website

Wednesday, November 12, 6pm
“Masterworks at the Met: Mannerism’s Perverse Beauty” (Part 3 in a 3-Part Series)
Speaker: Jerrilynn Dodds, Dean, Sarah Lawrence College
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Organized by: The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Website

Thursday, November 13, 6pm
“El Greco: Spirit and Paradox” (First in a Pair of Lectures)
(Part of the “El Greco at the Met” Series)
Speaker: Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings, The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Website

Friday, November 14, 4-5pm
“Friday Focus—Tullio Lombardo: Adam, the Vendramin Tomb, and Venetian Sculpture of the High Renaissance”
Speaker: Anne M. Schulz, independent art historian
Location: Art Study Room, Uris Center for Education, The Metropolitan Museum of Art
Ticket/entry details: Free with museum admission
Website

Thursday, November 20, 6pm
“El Greco: Spirit and Paradox” (Second in a Pair of Lectures)
(Part of the “El Greco at the Met” Series)
Speaker: Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings, The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Website

Monday, November 25, 6pm
"Lost Madrid: The Royal Palace of the Spanish Habsburgs"
Speaker: Jesús Escobar, Associate Professor of Art History, Northwestern University
Ticket/entry details: Free; no reservation necessary
Organized by: Bettman Lecture Series, Department of Art History & Archaeology, Columbia University
Location: Schermerhorn Hall, Room 612 (Lecture Hall), Columbia University
Website

Thursday, December 4, 6pm
“El Greco at the Met”
(Part of the “El Greco at the Met” Series)
Speaker: Walter Liedtke, Curator, Department of European Paintings, The Metropolitan Museum of Art
Location: The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art
Ticket/entry details: Tickets start at $30; $75 for the series (includes museum admission); Tickets can be purchased online
Website

Wednesday, December 10, 6-7pm
“A Masterpiece Revisited”
Speaker: Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation, The Metropolitan Museum of Art
Ticket/entry details: Free; no reservation necessary
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Thursday, December 11, 6pm
“Reflections on World Art History”
Speaker: Thomas DaCosta Kaufmann, Frederick Marquand Professor of Art and Archaeology, Princeton University
Ticket/entry details: Free; RSVP by following the link below
Organized by: The Institute of Fine Arts
Location: The Institute of Fine Arts
Website

Wednesday, January 29, 6 p.m.
"Why Multiplicity? On the Production of Small Bronzes in the Italian Renaissance"
Speaker: Claudia Kryza-Gersch, art historian
Ticket/entry details: Free, but seating is on a first-come, first-served basis; reservations are not accepted.
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Wednesday, February 5, 6 p.m.
"Renaissance and Baroque Bronzes from the Hill Collection"
Speaker: David Ekserdijan, University of Leicester
Ticket/entry details: Free, but seating is on a first-come, first-served basis; reservations are not accepted.
Organized by: The Frick Collection
Location: Music Room, The Frick Collection
Website

Tuesday, February 25, 6:15 p.m.
"Dare la Regola: The Architect as Painter in the Lives of Alberti and Brunelleschi"
Speaker: Wolf-Dietrich Löhr, Kunsthistorisches Institut in Florenz and Freie Universität Berlin
Ticket/entry details: Free; no reservation necessary
Organized by: Columbia University. Co-sponsored by the Collins/Kaufmann Forum and the Howard Hibbard Forum for Renaissance and Baroque Art and Architecture.
Location: 612 Schermerhorn Hall, Columbia University

Friday, February 28, 4 p.m.
"Piero della Francesca: Personal Encounters: A Conversation"
Speakers: Jacob Collins, artist, Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings, MMA, and Frank Dabell, art historian 

Ticket/entry details: Free with museum admission 

Organized by: The Metropolitan Museum of Art 

Location: Bonnie J. Sacerdote Lecture Hall, Uris Center for Education
Website

Thursday, March 6, 5:30 p.m.
"Theory and Practice in Florentine Drawing"
Speaker: Marzia Faietti, director of the Department of Drawings and Prints, Gallery degli Uffizi 
Ticket/entry details: Free 

Organized by: Princeton University Art Museum 
Location: McCormick 101, Princeton University 

Website

Wednesday, March 26, 6 p.m. 

"The Small Bronze and the Legacy of Leonardo in Florence"
Speaker: Michael Cole, Columbia University 

Ticket/entry details: Free, but seating is on a first-come, first-served basis; reservations are not accepted. 

Organized by: The Frick Collection 

Location: Music Room, The Frick Collection
Website

March 27-29

The 60th Annual Meeting of the RSA
Ticket/entry details: Registration is required 

Organized by: The Renaissance Society of America
Website

Monday, March 31, 6 p.m.
"The Ancestors: Flesh, Genealogy, and Eschatology in the Sistine Chapel"
Speaker: Giovanni Careri, École des Hautes Études en Sciences Sociales
Ticket/entry details: Free; no reservation necessary
Organized by: Columbia University
Location: 612 Schermerhorn Hall, Columbia University

Thursday, April 24, 5:30 p.m. 

TBA
Speaker: Catherine Whistler, senior assistant keeper of Western Art at the Ashmolean Museum of Art and Archaeology, Oxford 

Ticket/entry details: Free 

Organized by: Princeton University Art Museum 

Location: McCormick 101, Princeton University

Wednesday, May 14, 6 p.m.
"The Portrait and Its Mysteries: Parmigianino's Schiava Turca"
Speaker: Aimee Ng, The Frick Collection
Ticket/entry details: Free, but seating is on a first-come, first-served basis; reservations are not accepted. 

Organized by: The Frick Collection 

Location: Music Room, The Frick Collection
Website

Wednesday, May 21, 6 p.m. 

"Court Portraiture in the Age of Isabella d'Este"
Speaker: Andrea Bayer, The Metropolitan Museum of Art 

Ticket/entry details: Free, but seating is on a first-come, first-served basis; reservations are not accepted.
Organized by: The Frick Collection 

Location: Music Room, The Frick Collection
Website

Wednesday, January 30, 6 p.m.
"Portrait as Trophy: Three Imperial Busts by Leone Leoni"
Jonathan Marsden, Royal Collection, London

Free; no reservations necessary
Organized by The Frick Collection
Location: The Music Room at The Frick Collection, 1 East 70th St, New York, NY
Website

Around 1555 the Duke of Alba commissioned three life-sized bronze busts by the great Italian Renaissance portraitist Leone Leoni: one of himself and the other two of the Hapsburg emperor Charles V and the emperor's son, Philip II of Spain. Though the busts depict sitters of different rank—an emperor, a king, and a duke—Leoni presents them almost identically, as armored warriors in the cause of the Counter Reformation. For more than a century they have adorned the Guard Chamber at Windsor Castle, surrounded by actual weaponry and armor. Just as victorious Romans piled up the armor of their enemies as offerings to the gods, so George IV (who acquired the busts in 1825) turned these symbols of power into trophies of war.

Thursday, January 31, 6:30 p.m.
"Raphael as Designer for the Decorative Arts
Sir Timothy Clifford, former director of The National Galleries of Scotland

Ticketed event, free for students with ID
Organized by The Morgan Library and Drawing Institute
Location: The Morgan Library & Museum, 225 Madison Avenue, New York, NY
Website

Introduction to Raphael's designs for metalwork, textiles, and frames.

Wednesday, February 13, 6 p.m.
"Piero at Home"
Machtelt Israëls Researcher, History of Renaissance and Early Modern Art, University of Amsterdam

Free, no reservation necessary.
Organized by The Frick Collection
Location: The Music Room at The Frick Collection, 1 East 70th St, New York, NY
Website

During the early Renasisance, Piero della Francesca's artistic talents were highly sought after by patrons across the Italian peninsula but nowhere more so than in his hometown of Borgo San Sepolcro. This lecture will explore how Piero gradually transformed the art of painting by applying his pioneering pictorial imagination to the challenge of three gothic polyptychs and by introducing Renaissance-format paintings into the domestic interior with his Virgin and Child Enthroned With Four Angels (featured in the exhibition) and Nativity of Christ (The National Gallery, London). The latter work will be discussed in the context of architectural and pictorial decoration designed by Piero for his family's private palazzo. This lecture is made possible by the Robert H. Smith Family Foundation

Thursday, February 14, 6 p.m.
"(Re)constructing Italian Altarpieces: The Case of the Toscanelli Polyptych"
Machtelt Israëls Researcher, History of Renaissance and Early Modern Art, University of Amsterdam

Free; no reservations necessary
Organized by The New York Renaissance Consortium
Location: 612 Schermerhorn Hall, Columbia University

Wednesday, March 6, 6 p.m.
"Leonardo da Vinci: Singular and Plural"
Luke Syson, Iris and B. Gerald Cantor Curator in Charge, Department of European Sculpture and Decorative Arts, Metropolitan Museum of Art

Ticketed event
Organized by The Metropolitan Museum
Location: Grace Rainey Rogers Auditorium, Metropolitan Museum
Website

Leonardo worked on a surprisingly small number of works—the Mona Lisa among them—refining and altering them over years. This method created a production bottleneck that could only be dealt with through delegating, leaving us with the problem of how we distinguish a fully autograph product from a painting made in the workshop. This lecture by Luke Syson (organizer of the triumphant exhibition Leonardo da Vinci: Painter at the Court of Milan, at London's National Gallery) explores artistic production, collaboration, and delegation, and will track Leonardo's personal journey from a solitary artist to a collaborator working with pupils, assistants, and peers, and back.

Wednesday, March 13, 6 p.m.
"Leonardo da Vinci: Rethinking Leonardo in his Old Age
Carmen Bambach, Curator, Department of Drawings and Prints, Metropolitan Museum of Art

Ticketed event
Organized by The Metropolitan Museum
Location: Grace Rainey Rogers Auditorium, Metropolitan Museum
Website

The late years of Leonardo da Vinci have often been minimized in comparison to his achievements in Florence and Milan. This may be because it's sometimes fashionable to consider an artist's production in old age past its prime or merely a replication of earlier, more successfully received work. In this talk, Carmen Bambach (who organized the Met's seminal 2003 exhibition Leonardo da Vinci, Master Draftsman) examines Leonardo's later years and the riches of his interior life and his concrete, multifaceted production as an artist-thinker. What lies at front and center in the work of Leonardo's old age is the unfinished dimension of his thought and production.

Wednesday, March 20, 6 p.m.
"Three Geniuses and a Franciscan Friar"
James R. Banker, Professor Emeritus, Department of History, North Carolina State University

Free; no reservations necessary
Organized by The Frick Collection
Location: The Music Room at The Frick Collection, 1 East 70th St, New York, NY
Website

More often celebrated as a painter, Piero della Francesca was also a pioneering mathematician. This lecture will discuss Piero's achievements as a mathematician, focusing on his precocious mastery of the teachings of the Greek geometrician Archimedes. Shortly after his death, Luca Pacioli, a Franciscan friar, published two of Piero's treatises under his own name and conveyed Piero's knowledge of geometry to Leonardo da Vinci, who later became an expert in the subject.

Tuesday, April 30, 6 p.m.
"my pain is ever before you": The Flagellation of Christ in fifteenth-century Florence
Scott Nethersole, Lecturer, The Courtauld Institute of Art

Free; no reservations necessary
Organized by The New York Renaissance Consortium
Location: The Institute of Fine Arts, New York University, 1 East 78th Street

Wednesday, May 1, 6 p.m.
"Piero's Landscapes"
Scott Nethersole, Lecturer, The Courtauld Institute of Art, London

Free; no reservations necessary
Organized by The Frick Collection
Location: The Music Room at The Frick Collection, 1 East 70th St, New York, NY
Website

The landscapes in Piero's paintings, particularly his Baptism of Christ (National Gallery, London), are often thought to recall the area around his hometown of Borgo San Sepolcro. In truth, they evoke the upper Tiber Valley without describing it precisely. But what did it mean to locate sacred scenes in a recognizable and local setting? Did that landscape carry any connotations for the fifteenth-century residents of Borgo San Sepolcro that might be lost to us today?

Saturday, May 18, 2 p.m.
"From Borgo San Sepolcro to the East Coast"
Nathaniel Silver, Guest Curator, The Frick Collection

Free with museum admission; no reservations necessary
Organized by The Frick Collection
Location: The Music Room at The Frick Collection, 1 East 70th St, New York, NY
Website

During a career spanning nearly sixty years, Piero della Francesca worked in almost every major center across the Italian peninsula although nowhere did he accept more commissions than in Borgo San Sepolcro. Like his native city, Piero's paintings are possessed of a character that is neither Florentine nor Sienese but entirely unique. On the closing weekend of the special exhibition, the show's curator will discuss Piero's career in Borgo and explore how some of his masterpieces created for that city reached American shores.

Thursday, October 17, 6 p.m.
Leonardo's Mary Magdalene: An Ideal of Painting and the Power of Love
Luke Syson, The Metropolitan Museum of Art

Free after 5:45 p.m.; no reservations are necessary
Organized by The Frick Collection
The Music Room, The Frick Collection, 1 East 70th St, New York, NY
Website

Leonardo da Vinci's fragmentary sheet depicting Mary Magdalene—which will be included in the special exhibition Mantegna to Matisse—is among the artist's most beautiful and least studied drawings. From this small sketch came his revolutionary portraits The Lady with an Ermine and La Belle Ferronniere, and later his mysteriously moving Saint John the Baptist. With these works, Leonardo demonstrated how painting could occupy a space between the sacred and the profane, the real and the imagined, the present and the remote, and the actual and the implied.

Saturday, October 20, 10 a.m.
Exhibition Tour: Bernini—Sculpting in Clay
Paola D'Agostino, Senior Research Associate, Department of European Sculpture and Decorative Arts, Metropolitan Museum of Art

Free with museum admission
Organized by The Metropolitan Museum of Art
Gallery 964, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
Website

To visualize lifesize or colossal marbles, the great Roman Baroque sculptor Gian Lorenzo Bernini (1598-1680) began by making small, spirited clay models. Fired as terracotta, these studies and related drawings preserve the first traces of the thought process that evolved into some of the most famous statuary in the city, including the fountains in the Piazza Navona and the angels on the Ponte Sant'Angelo. This exhibition assembles for the first time some fifty of these bozzetti and modelli, as well as thirty chalk or pen sketches alongside three small-scale bronzes and a marble group. Through connoisseurship and a comprehensive campaign of scientific examination, the selection of models addresses the issue of what separates the hand of the master from the production of his large workshop.

Friday, October 26, 7 p.m.
Gallery Talk: Dürer to de Kooning: 100 Master Drawings from Munich
Jennifer Tonkovich, Curator, and Edward Payne, Moore Curatorial Fellow, Department of Drawings and Prints

Free with admission
Organized by The Morgan Library & Museum
The Morgan Library & Museum, 225 Madison Avenue, New York, NY
Website

Friday, November 30, 7 p.m.
Gallery Talk: Fantasy and Invention: Rosso Fiorentino and Sixteenth-Century Florentine Drawing
Linda Wolk-Simon, Charles W. Engelhard Curator and Department Head, Department of Drawings and Prints

Free with admission
Organized by The Morgan Library & Museum
The Morgan Library & Museum, 225 Madison Avenue, New York, NY
Website

Sunday, December 9, 3-4:30 p.m.
Sunday at the Met: Bernini: Sculpting in Clay
Tod Marder, Jennifer Montagu, and Anthony Sigel

Free with museum admission
Organized by The Metropolitan Museum of Art
The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
Website

Unveil the creative mind of Bernini. Explore the dramatic redesign of Roman piazzas, the production and function of clay studies in the Roman Baroque, and Bernini's unique modeling techniques. Program introduction by guest exhibition curator Ian Wardropper, director of the Frick Collection.

3 p.m.  "Water Works: Bernini on the Piazza Navona"
Tod Marder, Professor II, Department of Art History, Rutgers, The State University of New Jersey

3:30 p.m. "Terracotta in Seicento Rome: Bozzetti, Modelli, Models, and Copies"
Jennifer Montagu, Honorary Fellow, The Warburg Institute, London University

4 p.m. "Bernini in Action: Gesture and Technique in Clay"
Anthony Sigel, Guest Exhibition Curator, and Conservator of Objects and Sculpture, Straus Center for Conservation and Technical Studies, Harvard Art Museums

Wednesday, May 16, 6 p.m.
Pesellino: Master Painter of Renaissance Florence
Speaker: Nathaniel Silver, The Frick Collection

Free after 5:45 p.m.; no reservations necessary
Organized by The Frick Collection
The Music Room, The Frick Collection, 1 East 70th St, New York, NY
Website

Between 1440 and 1457 Francesco Pesellino painted for the Medici family and Pope Nicholas V, quickly earning himself a remarkable reputation in Florence. He died young, however, leaving behind few documented works. Rediscovered at the turn of the twentieth century and championed by connoisseurs such as Bernard Berenson, his jewel-like paintings fetched exceptional prices, including a record-breaking £10,000 in 1896 for his masterpiece, the Battle and Triumph of David (1452–55). This lecture will explore Pesellino's fascinating career and problematic rediscovery, revealing his pioneering role in the development of spalliera paintings, a new genre of Renaissance art.

Friday and Saturday, May 18 and 19, 10 a.m.–5 p.m.
Michelangelo and His World in the 1490s
Speakers: Denise Allen, Carmen Bambach, Peter Jonathan Bell, Kathleen Weil-Garris Brandt, Marietta Cambareri, Kathleen W. Christian, James David Draper, Charles Dempsey, Caroline Elam, Colin Eisler, Everett Fahy, James Hankins, Paul Joannides, Joost Keizer, Nicholas Penny, Patricia Rubin, Luke Syson, William E. Wallace

Free with Museum admission; reservations and tickets not required; seating on a first-come, first-served basis; assistive listening devices available from the ushers
Organized by James David Draper and Kathleen Weil-Garris Brandt with The Metropolitan Museum of Art
The Grace Rainey Rogers Auditorium, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
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Join international scholars to explore the pivotal decade of the 1490s in Florence and the formation and evolution of the young Michelangelo. Prompted by the recent loan by the French Republic to the Metropolitan Museum of the fragmentary marble statue Young Archer that many scholars attribute to Michelangelo, this symposium will provide occasion to reflect on the sculpture and the confluence of dramatic forces that shaped Renaissance Florence.

Friday, May 18

10 a.m. Welcome, Luke Syson, Iris and B. Gerald Cantor Curator in Charge, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

10:10 a.m. Michelangelo and the Young Archer in Relation to Bertoldo di Giovanni, James David Draper, Henry R. Kravis Curator, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

10:50 a.m. Revisiting Lorenzo de' Medici's Sculpture Garden, Caroline Elam, Senior Research Fellow, The Warburg Institute, University of London

11:20 a.m. Michelangelo and the Humanists, James Hankins, Professor of History, Harvard University

11:50 a.m. Florentine Art and Classical Learning: The Problem of Michelangelo's Battle of the Lapiths and Centaurs and Politian, Charles Dempsey, Professor Emeritus of Italian Renaissance and Baroque Art, The Johns Hopkins University

12:20 p.m. Break for lunch

2 p.m. Michelangelo's Archer: Culture and Style, Paul Joannides, Professor of Art History, University of Cambridge

2:30 p.m. Michelangelo and the Statuette, Peter Jonathan Bell, Research Associate, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

3 p.m. Break

3:30 p.m. The Virtù of the Young Michelangelo's Drawings: Problems of Chronology, Carmen Bambach, Curator, Department of Drawings and Prints, The Metropolitan Museum of Art; Andrew W. Mellon Professor, 2010-12, Center for Advanced Study in the Visual Arts, National Gallery of Art

4 p.m. Michelangelo Historicist, Joost Keizer, Assistant Professor of the History of Art, Yale University

Saturday, May 19

10 a.m. Introductory Remarks, Patricia Rubin, Judy and Michael Steinhardt Director, Institute of Fine Arts, New York University

10:30 a.m. Young Francesco Granacci, Everett Fahy, Curator Emeritus, Department of European Paintings, The Metropolitan Museum of Art

11 a.m. Schongauer: Young Michelangelo's Gothic Pattern Book, Colin Eisler, Robert Lehman Professor of Fine Arts, Institute of Fine Arts, New York University

11:30 a.m. Sculpture and The Manchester Madonna, Nicholas Penny, Director, The National Gallery, London

12 p.m. Michelangelo's Other Patrons: The Strozzi, William E. Wallace, Barbara Murphy Bryant Distinguished Professor of Art History, Washington University in St. Louis

12:30 p.m. Break for lunch

2 p.m. Cardinal Riario, Michelangelo's Bacchus, and the Antique: A New Proposal, Kathleen W. Christian, Humboldt Fellow, Institut für Kunstgeschichte, Ludwig-Maximilians-Universität München

2:30 p.m. Antico: A Fifteenth- or a Sixteenth-Century Sculptor?, Denise Allen, Curator, The Frick Collection

3 p.m. Break

3:30 p.m. Rustici's Saint John the Baptist at the Museum of Fine Arts, Boston: Prophet of a New Age?, Marietta Cambareri, Curator of Decorative Arts and Sculpture and Jetskalina H. Phillips Curator of Judaica, Art of Europe, Museum of Fine Arts, Boston

4 p.m. Training to Become Michelangelo, Kathleen Weil-Garris Brandt, Professor of Fine Arts, Institute of Fine, Arts and College of Arts and Science, New York University

Tuesday, May 22, 11 a.m.
Revelations of Giotto’s Frescoes in Santa Croce, Florence
Speaker: Cecilia Frosini, director of the restoration of mural painting, Opificio delle Pietre Dure, Florence

Free with Museum admission
Organized by The Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Uris Center for Education, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
Website

Giotto's early fourteenth-century murals in Santa Croce, Florence, are landmarks of Western art. Yet those in one of the chapels are difficult to read due to the fresco technique used by the artist and ensuing damage. Discover how recent examination with ultraviolet light has revealed previously unsuspected details, thus transforming our understanding of these great murals. Learn about the current campaign to document the findings.

Wednesday, June 13, 6 p.m.
Antico in Mantua: Friends and Foes
Speaker: Eleonora Luciano, National Gallery of Art, Washington DC

Free after 5:45 p.m.; no reservations necessary
Organized by The Frick Collection
The Music Room, The Frick Collection, 1 East 70th St, New York, NY
Website

In this lecture Eleonora Luciano—a co-curator of the current special exhibition—will explore Antico's artistic milieu, notably the overpowering presence of Andrea Mantegna, and will delve into the complexities of the sculptor's relationships with his Gonzaga patrons, including the renowned Isabella d'Este. Gian Marco Cavalli, a little-known goldsmith who was a collaborator of both Antico and Mantegna as well as a Gonzaga dependent, emerges as a key figure in the relationship between the two more famous artists. This lecture is made possible by the Robert H. Smith Family Foundation.

Wednesday, June 20, 6:30 p.m.
Paolo Veronese: "Marvels in Drawing and then in Coloring"
Speaker: Xavier F. Salomon, The Metropolitan Museum of Art

$15; $10 for Members; free to students with valid ID (Please call 212-685-0008 ext. 560 or email [email protected] for information)
Organized by The Morgan Library & Museum
The Morgan Library & Museum, 225 Madison Avenue, New York, NY
Website

Veronese was one of the most extraordinary and prolific draftsmen in sixteenth-century Venetian art. In this lecture Xavier F. Salomon, Curator of Southern Baroque Paintings, The Metropolitan Museum of Art, will look at Veronese's compositional drawings and how they relate to his finished paintings. The analysis of the drawings will allow for a better and deeper understanding of the artist's creative process.

Saturday, July 28, 2:00 p.m.
Antico and Exhibitions
Speaker: Denise Allen, The Frick Collection

Free with museum admission; doors open at 1:45 p.m.
Organized by The Frick Collection
The Music Room, The Frick Collection, 1 East 70th St, New York, NY
Website

Early Renaissance masters of bronze, like Antico, whose works traditionally have been studied only by specialists, often require the attention of international exhibitions before they are propelled from the margins of art history into the scholarly mainstream. On the closing weekend of Antico: The Golden Age of Renaissance Bronzes, the show's New York curator will examine recent exhibitions devoted to the artist, including the Frick presentation. She will discuss the ideas that guided the selection of works and the format of the catalogues; how the exhibitions contribute to a better understanding of the artist and his oeuvre; and some of the questions about Antico that still remain.  This lecture is made possible by the Robert H. Smith Family Foundation.

Wednesday, February 1, 2-3 p.m.
Gold as Light, Light as Gold: The Tooling of Metal Leaf from Simone Martini to Pisanello, from Mimesis to the Anagogical
Speaker: Andrea De Marchi, Associate Professor, Università degli Studi di Firenze

The Metropolitan Museum of Art, Bonnie J. Sacerdote Lecture Hall, Uris Center for Education, 1000 Fifth Avenue, New York, NY 10028
Free with Museum admission.

Thursday, February 9, 6 p.m.
Madrid, Urbs Regia: The Seventeenth-Century City and Its Representation
Speaker: Jesús Escobar, Associate Professor and Chair, Department of Art History, Northwestern University

The Institute of Fine Arts, New York University, 1 East 78th Street, New York, NY 10075
Open to the public, RSVP required. Email [email protected] with "SLAC 2/9" in the subject line. This event will be followed by a reception. Organized by the Colloquium on Spanish and Latin American Art and Visual Culture, IFA.

Thursday, February 16, 4:30-5:30 p.m.
The Shopper, the Specialist & the Supplier, or, Shaw, Bode & Bardini and the Transaction of Art
Speaker: Lynn Catterson (Leon Levy Fellow, Center for the History of Collecting, Frick Collection)

Frick Collection Music Room

Monday, March 5, 11 a.m.-1 p.m.
The Renaissance Portrait from Donatello to Bellini: An exhibition seminar for graduate students
Speakers: Keith Christiansen and Andrea Bayer, Metropolitan Museum of Art, Patricia Rubin, Institute of Fine Arts, and graduate student participants

The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
Open primarily to graduate students (and others if space permits); reservation required. Organized by the New York Renaissance Consortium.

Keith Christiansen, John Pope-Hennessy Chairman, and Andrea Bayer, Curator, both of the Department of European Paintings at the Metropolitan Museum of Art, and Patricia Rubin, Judy and Michael Steinhardt Director of the Institute of Fine Arts, in collaboration with the New York Renaissance Consortium invite graduate students to participate in a seminar held in conjunction with the exhibition The Renaissance Portrait from Donatello to Bellini, on view through March 18 in the second floor Special Exhibition galleries at the Metropolitan Museum of Art.

The group will meet in the galleries while the museum is closed to the public, where Keith Christiansen, Andrea Bayer and Patricia Rubin will lead in-depth discussions of the objects and of issues raised by the exhibition, such as Renaissance constructions of the individual, the politics of representation, the import of material and dimensionality, costume and pose, the significance of likeness, regional variations, and the historiography of portraiture.

Participants will be expected to have spent time in the exhibition and with the accompanying catalogue prior to the seminar, and are encouraged to consider related areas of interest in light of this extraordinary assembly of some of the finest drawn, painted and sculpted portraits of fifteenth-century Italy. The seminar will take place Monday, March 5 at 11:00 AM and last approximately two hours. Because discussion will be based on immediate reference to the works of art themselves, participation is limited to 20. The seminar is intended primarily for graduate students, but others will be allowed if space permits.

To register, please send an email to [email protected] with your name and affiliation.

Tuesday, March 6, 6:30-8 p.m.
Piero's Realism
Speakers: Joost Keizer, Assistant Professor, History of Art, Yale University

19 University Place, Room 222, New York
Free and open to the public. Organized by the New York University Medieval and Renaissance Center.

A cult of realism re-emerged in European art in the fourteenth and fifteenth centuries, at the same time that artworks began to be attributed to individual artists. Paintings produced under the conditions of verisimilitude—literally, resemblance to truth—deny the fact that they are made things in order not to destroy the illusion that they perfectly imitate the real. In this talk, I will argue that painting's concern with hiding its manufacture prevented the period from formulating a strong model of individual style. Rather than understanding the authorship of painting by looking at how a picture showed, early Renaissance culture looked at what it showed. Using the art of Piero della Francesca as a relevant test case, my presentation explores the possibility that the artist's contemporaries understood painting as an index of the artist's lifeworld.

Thursday, March 8, 6-7:30 p.m.
The Fictions of Fashion in Early Modern Italy: From Costume Books to Satires (1590-1648)
Speaker: Eugenia Paulicelli, Italian and Comparative Literature, Fashion Studies, The Graduate Center/CUNY

CUNY Graduate Center, Room 9206, 365 Fifth Avenue New York, NY 10016
Cosponsored by the Women's Studies Certificate Program and the Society for the Study of Women in the Renaissance, CUNY.

Wednesday, March 14, 9:45 a.m.-2 p.m.
Graduate seminar on Borghini, Vasari, and Disegno: Experiencing and Understanding Drawings through Sixteenth-Century Eyes
Instructor: Dr. Rick Scorza, Thaw Senior Fellow, The Drawing Institute at the Morgan Library & Museum

Application required. Organized by The Drawing Institute, Drawing Study Center and North Parlor, The Morgan Library & Museum, 225 Madison Avenue, New York

Participants will look closely at Italian Renaissance drawings in the Morgan's collection in an attempt to see them as they were viewed and understood by the sixteenth-century historian and iconographer Vincenzo Borghini and his friend, the artist-biographer Giorgio Vasari, two of the earliest collectors of drawings. Discussion will focus on issues of connoisseurship and attribution, as well as Vasari's principles of disegno and pictorial invention. Participants will be instructed in the basic visual and textual tools necessary to fruitfully navigate the early historiography of sixteenth-century Italian drawing. In the spirit of the subject, no laptops are permitted—only pencil, paper, and the drawings themselves.

The seminar is open to graduate students in the history of art. Interested participants are kindly invited to submit a one paragraph statement which should include the following:

• Academic institution
• Class year
• Field of study
• Interest in drawings
• Reason/s for wanting to participate in the seminar

A brief recommendation from the student's advisor is suggested but not required. Lunch is included. There is no charge to attend. [email protected]

Tuesday, March 27, 2-4 p.m.
Global Designs: Fashioning Textiles in the Early Modern World
Speaker: Giorgio Riello, History, Warwick University

CUNY Graduate Center, Room C-197, 365 Fifth Avenue New York, NY 10016
Cosponsored by the Ph. D. Program in History, Fashion Studies, and the Renaissance Studies Certificate Program, CUNY.

Wednesday, April 18, 6:30 p.m.
Vasari, Borghini and Papal Portraits
Speaker: Rick Scorza, Thaw Senior Fellow, The Drawing Institute at the Morgan Library & Museum

Free admission. Organized by The Drawing Institute, Gilder Lehrman Hall, The Morgan Library & Museum, 225 Madison Avenue, New York.

Friday, April 27-Sunday, April 29
Beyond Italy and New Spain: Itineraries for an Iberian Art History (1440-1640)

Organized by Michael Cole and Alessandra Russo. Free and open to the public.
For more information, please visit The Italian Academy website.

Wednesday, May 2, 6:00 pm
Antico: A Pioneer of Renaissance Sculpture
Speaker: Claudia Kryza-Gersch, Kunsthistorisches Museum, Vienna

The Frick Collection, 1 East 70th Street, New York, NY 10021
Free after 5:45 p.m.; no reservations are necessary.

Wednesday, September 21, 6-7 p.m.
Collecting Art during the Italian Renaissance: Rome, Florence, and Mantua
Speaker: Stephen K. Scher

Frick Museum, Music Room
Organized by The Frick Museum; no reservations necessary
For additional information, contact [email protected]

Friday, September 23, 6 p.m.
Ambitious Form: a conversation with the author
Participants: Michael Cole, Professor of Art History, Columbia University, and Alina Payne, Professor of History of Art, Harvard University

Stronach Center, 8th floor, Schermerhorn Hall
Organized by The New York Renaissance Consortium and Columbia University; free and open to the public

The New York Renaissance Consortium is pleased to host a conversation with Michael Cole, author of Ambitious Form (Princeton University Press, 2011). The book describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors—Giambologna, Bartolomeo Ammanati, and Vincenzo Danti—as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually—or understand the period in which they worked. Attendees are encouraged to come with comments and questions, as a generous portion of the event will be given over to discussion between audience members and the authors. A reception will follow.

Sunday, September 25, 3 p.m. 

Sunday at the Met: Frans Hals in the Metropolitan Museum
Speakers: Walter Liedtke, Curator of European Paintings, Metropolitan Museum of Art; Christopher D. M. Atkins, Assistant Professor of Art History, Queens College and The Graduate Center, City University of New York

The Grace Rainey Rogers Auditorium at The Metropolitan Museum of Art
Free with Museum admission 


Join us for an afternoon exploring the famous Dutch painter's life, art, and brilliant brushwork. This event is presented in conjunction with the exhibition Frans Hals in the Metropolitan Museum. Assistive listening devices are available from the ushers.

Monday, September 26, 6:15 p.m.
"The Uninvited"
Speaker: Christopher Wood

612 Schermerhorn Hall, Columbia University
Columbia University Department of Art History and Archaeology Bettman Lecture Series
Free and open to the public

Thursday, October 13, 6:30-7:30 p.m.
Building-in-time: Thinking and Making Architecture in the Premodern Era
Speaker: Marvin Trachtenberg

612 Schermerhorn Hall, Columbia University
Columbia University Department of Art History and Archaeology Branner Forum
Free and open to the public

Thursday, November 10, 6 p.m.
'Cross My Heart, Hope to Die, Stick a Needle in My Eye': Friendship, Survival, and the Pathos of Portraiture
Speaker: Maria Loh

612 Schermerhorn Hall, Columbia University
Organized by the The New York Renaissance Consortium
Free and open to the public; reception to follow

Wednesday, November 30, 6:30-8 p.m.
Francesco Mochi: Stone and Scale
Speaker: Michael Cole

Bard Graduate Center, 38 West 86th Street
Organized by the Bard Graduate Center
For additional information, call (212) 501-3019

Friday, April 27–Sunday, April 29
Beyond Italy and New Spain: Itineraries for an Iberian Art History (1440-1640)
Speakers TBA

Organized by Michael Cole and Alessandra Russo
Free and open to the public

Friday, January 21, 6 p.m.
Piero della Francesca's Flagellation: Solving an Early Renaissance Riddle of Its Commission and Meaning
Jean-Pierre De Rycke, curator, Musée des Beaux-Arts, Tournai

Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for education, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
Free with Museum admission; tickets and reservations not required
Organized by The Metropolitan Museum of Art

Tuesday, February 1, 6 p.m.
Durer's Folds
Christopher Heuer, Assistant Professor of Art and Archaeology, Princeton University

Institute of Fine Arts, NYU, 1 East 78th Street, New York, NY
Free and open to the public; seating is limited
Organized by Silberberg Lecture Series, Institute of Fine Arts

Thursday, March 10, 4:30 p.m.
"The Intimacy of Italian Renaissance Art"
Adrian Randolph, Dartmouth University

Free and open to the public
Zimmerli Art Museum, Lower Dodge Gallery
Organized by Department of Art History, Rutgers University

Tuesday, March 15, 11:15 a.m.
Jean Bourdichon: New Research on a Court Painter in Renaissance France
Nicholas Herman

Organized by Fellows Colloquia, Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education, Metropolitan Museum of Art, 1000 Fifth Avenue, New York
For further information, contact Marcie Karp at (212) 650-2763

Saturday, March 19, 8:45 a.m.-5:30 p.m.
New Perspectives on the Man of Sorrows: Art and Devotion in Renaissance Venice and the North
William Barcham, John Sawyer, Lyle Humphrey, Mitchell Merback, Colum Hourihane, Frederick Ilchman, Stefania Mason, Catherine Puglisi

A symposium in conjunction with the exhibition Passion in Venice: Crivelli to Tintoretto and Veronese (The Man of Sorrows in Venetian Art), at the Museum of Biblical Art, 1865 Broadway, New York, on view February 11–June 11, 2011. Symposium to be followed by a choral concert by the Collegium Musicum of Rutgers.
Full program

Institute of Fine Arts, New York University, 1 East 78th Street, New York, NY
Admission is free but seating is limited; registration is required
Organized by William Barcham and Catherine Puglisi, co-curators of Passion in Venice, with special thanks to the Institute of Fine Arts and the Museum of Biblical Art

Monday, March 28, 1:10 p.m.
Art in Italy: 1560-1570: Decorum, Order & Reform
Michael Cole

Italian Academy, 1161 Amsterdam Ave. (Just south of 118th street), New York, NY
Organized by the Italian Academy for Advanced Studies, Columbia University
Free and open to the public; reservations recommended
For further information, contact Allison Jeffrey at [email protected] or (212)854-8942

Tuesday, March 29, 10:30 a.m.
The Power of Transformation: Courtly Mommeries and Mascarades in Sixteenth-Century France
Yassana Croizat-Glazer

Organized by Fellows Colloquia, Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education, Metropolitan Museum of Art, 1000 Fifth Avenue, New York
For further information, contact Marcie Karp at (212) 650-2763

Wednesday, March 30, 6 p.m.
The Shadow of Light: Leonardo's Mind by Candlelight
Paolo Galluzzi

Italian Academy, 1161 Amsterdam Ave. (Just south of 118th street), New York, NY
Organized by the Italian Academy for Advanced Studies, Columbia University
Free and open to the public; reservations recommended
For further information, contact Allison Jeffrey at [email protected] or (212)854-8942

Tuesday, April 12, 10:00 a.m.
New Discoveries in Early German Painting
Nathaniel Prottas

Organized by Fellows Colloquia, Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education, Metropolitan Museum of Art, 1000 Fifth Avenue, New York
For further information, contact Marcie Karp at (212) 650-2763

Tuesday, April 12, 10:30 a.m.
Unprinted Prints: The Etched Decoration of German Renaissance Armor
Stefan Krause

Organized by Fellows Colloquia, Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education, Metropolitan Museum of Art, 1000 Fifth Avenue, New York
For further information, contact Marcie Karp at (212) 650-2763

Thursday, April 14, 6-7:30 p.m.
'All the argument is a whore and a cuckold': Spousal de Praesenti & Marital Betrayal in Troilus and Cressida
Cristina Alfer

Room C-197, CUNY Graduate Center
Free and open to the public
Organized by the Society for Study of Women in the Renaissance

Friday, April 15, 4-6 p.m.
The Michelangelo Symposium
Leonard Barkan, Deborah Parker

Room 9027, CUNY Graduate Center
Free and open to the public; reservations recommended
Organized by the Renaissance Studies Certificate Program

Monday, April 18, 6 p.m.
Bettman Lecture Series
Patricia Rubin, Institute of Fine Arts, New York University

Columbia University, 612 Schermerhorn Hall
Free and open to the public

Tuesday, May 10, 10:00 a.m.
Wearing Dürer Down: An Examination of Copper Plate Deterioration Evidenced in Albrecht Dürer's Meisterstiche Impressions
Angela Campbell

Organized by Fellows Colloquia, Metropolitan Museum of Art
Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education, Metropolitan Museum of Art, 1000 Fifth Avenue, New York
For further information, contact Marcie Karp at (212) 650-2763