Organized by Kathryn Kremnitzer (Columbia University) and Rebecca Tropp (University of Cambridge)
Session 1
Rozemarijn Landsman, Columbia University
“Qui Miscuit Utile Dulci”: Jan van der Heyden’s Drawings of Fires and Fire Engines
Lizzie Marx, University of Cambridge
Smelly Remedy: Womb Fumigation Translated into Image
Katherine Fein, Columbia University
The Sense of Nearness in Harriet Hosmer’s Clasped Hands
Session 2
Olivia Clemens, Columbia University
The “Maymuna” Scroll: Representing Holy Space in a Fifteenth-Century Hajj Certificate
Matthew Gillman, Columbia University
Manifest and Concealed in Mark Tobey’s New York Tablet
Michaela de Lacaze, Columbia University
Remembering Marta Minujín’s Informalismo: The Politics of Memory and Art in Post-Peronist Argentina
Session 3
Krisztina Ilko, University of Cambridge
Cross-media variations on the miracles of St Nicholas of Tolentino in a last altarpiece and the frescoes of the Cappellone in Tolentino
Luise Scheidt, University of Cambridge
From Written Word to Painted Picture: How Four Venetian Renaissance Artists Translate an Iconographical Programme
Paula Fayos-Perez, University of Cambridge
Delacroix after Goya’s Caprichos: Caricature, Politics, and Expression
Session 4
Mikael Muehlbauer, Columbia University
The Problem of Prototype: Mika’el Amba in Tigray, Ethiopia
Rebecca Tropp, University of Cambridge
[Not] On the Level: Studying Level Changes in the Country Houses of James Wyatt and Sir John Soane
